Buy Cremona SV-1260 Maestro First Violin, Full-SizeCremona SV-1260 Maestro First Violin, Full-Size Product Description:
- Hand-carved and graduated select solid Spruce top Hand-carved and graduated select solid flecked flamed maple neck back and sides (Flame varies by model) Back is 1-piece
- Delicate precisely inlaid Ebony purfling Extremely elegant edge work for the aged look
- Hand-applied oil varnish Hill-style Boxwood fittings
- Ebony fingerboard nut and saddle Cremona 3-star bridge Perlon Strings (1) VP-14 finetuner
- LB-19 J.LaSalle Brazilwood bow with genuine unbleached white horsehair TL-35 Deluxe Travelite suspension case Shop adjusted
- Hand-carved and graduated select solid Spruce top Hand-carved and graduated select solid flecked flamed maple neck back and sides Back is 1-piece
- Hand-carved and graduated select solid Spruce top Hand-carved and graduated select solid flecked flamed maple neck back and sides
- Hand-carved and graduated select solid Spruce top Hand-carved and graduated select solid flecked flamed maple neck back
Product Description
The one-piece, highly-flamed back on every Cremona SV-1260 Maestro Violin Outfit must be seen to believe. Only the finest select woods are chosen for production of each instrument to enhance the already amazing tone of these superb "First" violin outfits.
Customer Reviews
Most helpful customer reviews
8 of 34 people found the following review helpful.
Very Clever Tool--Perfect for my marching band!!!
By J. Bentley
This tuner functions perfectly in environments with ambient noises that are loud and random. It's perfect for outdoor performance warmups.I've also used it in other ways. This particular band I'm teaching (brass, with some woodwind work) tunes extremely well by ear. During pre-show or pre-rehearsal warmups I put the section in an arc around me and randomly select a student to provide the reference pitch (Bb concert). I then attach the tuner to their instrument, show them how to read it and have them sweep across the arc 4 times while sounding the reference pitch. Since the student can see the tuner while sweeping across the arc, they can hold the pitch steady for the rest of the arc to hear. In addition, the students in the arc can play, if they wish, to match their pitch to the student sweeping the arc. Since the tuner in unaffected by all of this, the student sweeping the arc can still provide the correct tuning reference. Even the weakest, least experienced players are able to keep the pitch steady enough for reference tuning purposes.The piccolo players especially like it when I let the section leader "wear" it on her instrument during marching rehearsals and she can constantly monitor the tuning of the section. I highly recommend it to anyone working in the marching music arts.
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